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During the next few weeks, we're going to say goodbye to several
well-known television shows. Some will leave us with tear-soaked
eyes ("The West Wing"), whereas others can't have
the door slammed on them fast enough ("Joey"), and several
long-forgotten friends will request one final visit ("Malcolm in the Middle," "Alias," "That '70s Show," "Will & Grace"). As we prepare to bid
adieu, we thought that now is a good time to look back at the most
fabulous finale episodes in TV history. There'll be no "Seinfeld," "Sex and the City" or "Friends" here, three examples of
high-profile send-offs that did little more than remind audiences
that the magic was gone. As you'll see, some finale episodes came
under the stress of cancellation, whereas others were a home run
knocked out of the park by a successfully retiring classic. Either
way, each diverse selection presents audiences with a powerful final
impression of a classic TV show. Each is worth rediscovering on DVD
or, if it isn't available yet, should at least deserve an onslaught
of angry fan letters to the lazy people who own the rights to
them.
Photo Gallery: Season/Series Finale Preview
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"Cheers"
After 11 breezy, brilliantly written seasons and 111 (!) Emmy
nominations, everybody's favorite neighborhood bar finally rang the
bell for last call. Prodigal daughter Shelley Long returned one
last time to play prissy Diane Chambers, who just might be the love
of Sam Malone's (Ted Danson) life
after all. Still one of the highest-rated series finales of all
time, "One for the Road" had Kirstie Alley's Rebecca
agreeing to pose as Sam's wife, Woody (Woody
Harrelson) ascending to the Boston City Council, Norm (George
Wendt) getting a new job and Cliff (John
Ratzenberger) earning a promotion; Frasier (Kelsey Grammer) ...
well ... you already know what happened to him. Balancing the comedy
and heartfelt emotion of the series one final time, Sam said goodbye
to the regulars and then spied a shadowed man at the front door
while trying to lock up. "Sorry, we're closed," Sam shouted out,
then straightened a picture on the wall and headed into the back
room forever. To paraphrase Hank Williams, it was enough to drop a
tear in your beer. | |
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"Six Feet
Under"
If this one didn't make you cry, then you were as dead as the
multitude of characters offed at the end of the show. Keeping in
line with the dark themes of the HBO series about a family of
undertakers, "Everyone's Waiting" concluded with a glimpse at the
future deaths of all the main characters, set to a powerful musical
sequence as Claire (Lauren Ambrose) drove
away from them all. Much like life, it was meant to be as beautiful
as it was tragic: The final episode also broke with the series
tradition of starting each episode with a death, instead using a
birth to invoke circle-of-life-like thoughts about the unavoidable
beauty of it all. | |
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"M*A*S*H"
An astounding 77 percent of all TV viewers on Feb. 28,
1983, had the set tuned to "Goodbye, Farewell and Amen," the final
episode of one of TV's most beloved shows. The two-and-a-half hour
finale did more tying up than a cowboy at a calf-roping competition,
beginning with Hawkeye's (Alan Alda) trip to
the mental hospital and going up through the bombing of the camp and
Klinger's decision to stay in Korea. The final moment, with B.J. (Mike Farrell) and
Hawkeye's final words and the "Goodbye" spelled out in stones, is
still regarded as one of the most powerful moments in television
drama. It was the greatest final impression one could make -- until
that flavor of friendship was quickly replaced by the bitter
aftertaste of "After M*A*S*H." | |
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"The
Fugitive"
The series finale that invented the modern-day series finale,
this 1967 wrap-up to the classic series set a ratings record that
lasted decades, despite the objections of a studio head who thought
a conclusion might kill syndication opportunities. After four years
of running, Dr. Richard Kimble (David Janssen) finally
caught up to the one-armed man, allowing audiences the rare
opportunity to despise a handicapped person. Several generations
later, Harrison Ford would renew
America's hatred of the crippled, while everything from "NYPD Blue" to "Sex and the City" would
similarly continue their love affair with the concept of the "big
goodbye" series
finale. | |
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