Best and Worst of '60s Sci-Fi by Don Kaye
The Wild, Wild West

'The Wild, Wild West' (1965-69)
Forget that lame movie starring Will Smith and Kevin Kline. "The Wild, Wild West" was one of the most bizarre TV series of the '60s, arguably giving birth to the modern "steampunk" subgenre of science fiction. Robert Conrad and Ross Martin starred as two post-Civil War Secret Service agents, but in addition to the standard frontier gunplay, they battled the insane Dr. Loveless and his arsenal of robots, weather control machines and gadgetry that was more "Buck Rogers" than John Wayne

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Star Trek

'Star Trek' (1966-69)
The granddaddy of modern sci-fi television, it's far too easy to
mock "Star Trek" now for the papier-mâché alien landscapes,
the psychedelic lighting and well-cooked ham William Shatner. But
Gene Roddenberry's classic creation was also the first serious
sci-fi show with recurring characters, all of whom became beloved
icons. Roddenberry got real genre writers like Harlan Ellison, Richard Matheson and Theodore Sturgeon to pen scripts,
many of which tackled social and historical commentary. For much of its three-year run, there was just about nothing better.

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The Time Tunnel

'The Time Tunnel' (1966-67)
Irwin Allen's "The Time Tunnel" starred James Darren as a scientist whose titular device keeps slinging him back and forth in time as his peeps back at the lab try to snatch him back. Never a stickler for the "science" in science fiction, Allen threw out all the rules on this one, allowing his heroes to hop around in time and repeatedly try to change history without a moment's thought to the ramifications. The tunnel itself was an impressive set and special effect, but the show itself couldn't beat the clock, lasting just 30 episodes.

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The Prisoner

'The Prisoner (1967)
It only ran for seventeen episodes, but "The Prisoner" has enjoyed a loyal cult following ever since. Created by star Patrick McGoohan, it followed the adventures of a retired secret agent who is unaccountably transferred to a secure, undisclosed location called the Village -- a sort of seaside resort for people the government wants to go away. The Prisoner is only known as Number Six, and many of the shows centered on his psychological battles with a revolving cast of Number Twos, as well as his quest to learn the identity of Number One. Allegorical in nature, The Prisoner was surreal, inscrutable and utterly fascinating.

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The Invaders 'The Invaders' (1967-68)
A prototype of "The X-Files," "The Invaders" starred Roy Thinnes as David Vincent, the only man aware of an invasion by aliens looking to escape their dying world by possessing the bodies of human beings. The short-lived show was often effective and quite paranoiac, helped largely by Thinnes' excellent performance. "The Invaders" took place in the present, setting it apart from the futuristic, space-based shows of the time. A TV movie remake was produced in 1995.
Land of the Giants 'Land of the Giants' (1968-70)
Irwin Allen (yes, him again) tried once more with "Land Of The Giants," surely the silliest of his '60 sci-fi series. The show found the crew of the "Spindrift" crashing on a planet where the humanoid inhabitants were twelve times the size of humans. The show featured Don Marshall as a heroic African-American (advanced for the time) and a few stabs at moral and social issues, but lacked the necessary punch to outgrow its ludicrous premise. It's the only one of Allen's four '60 series that has yet to surface on DVD.
Don Kaye has covered film, video, books and music for outlets like Fangoria, Revolver, Guitar World, HorrorChannel.com, VideoScope, Billboard, Alternative Press, Total Movie, Blabbermouth.net, Kerrang! and too many others he's forgotten. He grew up watching all the shows in this article instead of playing outside like a normal kid.

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