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(Continued)
Here's a thought: How about when a young, talented female star veers out of
control (which appears to be the case of Lindsay), we root for her? If we
actually like an actress on-screen, we want to see her writ large and in charge.
As for me, I yearn for Lindsay to get back on track -- but nowhere near tracks.
Lindsay, the girl we so adored in Disney's remake of "Freaky Friday" or who we grew an almost uncomfortable crush
on in writer Tina Fey's whip-smart "Mean Girls", was and still is full of promise.
Sure, she sent some perplexing "Be adequite" message in her condolence letter to
Robert Altman's family after the brilliant director's death,
but at least she, uh, tried. And the fact that Altman, one of cinema's greatest
directors, cast Lindsay in "A Prairie Home Companion" says a great deal. Altman worked
splendidly with actors and trusted them immensely. Do you think she was cast
simply as a lark? And she was terrific in that picture -- natural, dryly funny
and human, which says a lot considering she co-starred with Meryl Steep and Lily Tomlin.
Let's also give Lindsay a break for "Georgia Rule." The movie wasn't grand cinema but
not because of stars Lindsay (who was interesting and effectively wounded), Felicity Huffman or Jane Fonda. Really, if the movie was good enough
for Jane freaking Fonda to star in, then why does Lindsay get raked over the
coals? Jane's father was Henry, an American institution; Lindsay's father is a felon,
so cut the girl some slack.
Lindsay next appears in "I Know Who Killed Me," a movie mocked on the Internet ever
since the ominous, darkly sexy trailer with Lindsay in all her undulating glory
hit the Web. The trailer's release was perfectly timed with those ominous and,
let's face it, darkly sexy knife photos in which Lindsay and Vanessa Minnillo held cutlery to each other's
throats in a party prank that made other revelers uncomfortable (in my world,
that's when a party starts getting fun), and the result was that
Lindsay-loathing hit an all-time high. She's become part of an unholy trinity
with Paris Hilton and Britney Spears, which some writers call "The Three
Whores of the Apocalypse."
But Lindsay simply doesn't deserve that appellation. With her sexy redheaded
locks (or blond, or brunette -- I prefer the red Linds), her adeptness at
sweetness and cynicism, and the pathos she can actually wring from wronging one
of her friends in "Mean Girls," the girl's got, as they say, chops. I seriously
hope her upcoming films "Chapter 27" and the in-production, aptly titled "Poor
Things" (starring another fiery redhead, Shirley MacLaine) show as much, because I want
Lindsay to grow and challenge herself as an actress.
She has made some career mistakes. She turned down the Dylan Thomas-based
drama "The Edge of Love" (aka "The Best Time of Our Lives") starring Keira Knightley. The industry is getting mighty fed up with
her (according to a recent New York Times story, some producers and studios are
removing Lohan from casting lists, claiming she's unreliable and, worse, not
sober). She also exited "The Loss of a Teardrop Diamond" (Bryce Dallas Howard is now in negotiations for the part),
which is the film version of a recently unearthed Tennessee Williams' work about
a brazen 1920s Memphis debutante. Is this role not perfect for Lohan? Plus
Viva-Las-Vegas-a-licious Ann-Margret would have played her aunt! Double perfect!
Because Ann-Margret is a hero to Lindsay (which earns her major bonus points)
and Tennessee Williams is a marvelous place for fractured women to exorcise
their demons, her exit from the film is especially tragic. If she never gets to
act with Ann, I say, forget the Promises rehabilitation facility. Bring on the
real "Kitten With a Whip" herself. Could a one-on-one between
these two "Pleasure Seekers" be too much to ask? Could a "Carnal Knowledge," the movie version, not the real life one,
be in Lindsay's future?
What do you think about Lindsay Lohan? Write us at heymsn@microsoft.com
Kim Morgan is a film writer who runs MSN's Movies Filter blog and has
contributed to many outlets including LA Weekly, Reel.com, DVD Journal, Salon
and The Huffington Post. She was a film critic for The Oregonian and served as
DVD critic on Tech TV's The Screen Savers. She's also appeared as guest film
critic on AMC's The Movie Club, E! Television, Reelz and Ebert & Roeper. You
can read her at her blog SunsetGun.com.
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